☰
Logo
  • Deutsch
  • English
  • home
  • Infopage
  • ▶Acting Workshops
    • Acting Intensive – Foundation Course
    • Online Summer Class: Susan Batson Technique
    • Release and stay open – Butoh with Vangeline
    • Dream Work – Writing, Casting and Workshopping
    • Writing Retreat
    • Acting Program Part II
    • 3 Week – Acting Program
    • On-Camera Acting Masterclass Int./Adv.
    • Chekov Workshop with Di Trevis
    • Scene Lab: The Art of Transformation
    • Acting Workshop with Sheila Gray
    • ReWilding Narratives: Change the Narrative – Change Society
    • The Moving Frame – 5 days intensive
    • Milton Justice – Stella Adler Technique
    • Masterclass Intensive with Terry Knickerbocker
    • Shakespeare Workshop
    • Storytelling Techniques for Solo Storytellers
    • Online: Analysis of Chekhov´s “Three Sisters”
    • Acting Through Dreams Intensive
    • Dreamwork for Actors and Artists with Ken Barnett
    • Developing Your Character’s Physicality
    • Acting Masterclass with Greta Seacat
    • Miranda Harcourt – Actors’ and directors’ tools
    • Screen Naturalism
    • Foundation Intensive Extension
    • Showreel Camp
    • Acting Foundation Course
    • The Expressive Gesture
  • ▶Acting Teachers/Coaches
    • Matthias Schott
    • Vangeline
    • Amanda Lovejoy Street
    • Martin Moran
    • Eric Reis
    • Di Trevis
    • Welker White and Damian Young
    • Mike Alfreds
    • Milton Justice
    • Terry Knickerbocker
    • Darren Smith
    • Dr. Pye
    • Greta Seacat
    • Pamela Scott
    • Miranda Harcourt
    • Geordie Brookman
    • Rainer Hackstock
    • Ken Rea
    • James Kemp
    • Lena Lessing
  • ▶Courses Young Individuals
    • Young Writers Program
    • Intensive Workshop for Young Talents 12-18
    • Shakespeare for Young People
  • The Studio
  • Testimonials
  • News
  • Membership Benefits
  • Calendar
  • ▶General information
    • New students
    • Clarification – the need for early commitment
    • Partners & Projects
    • Support Social/Educational Projects
    • Private Acting Coaching
    • Quick fix & fresh viewpoint
    • Rebooking
    • Gift Vouchers: Acting Courses | Theatre Courses
    • Archive (workshops)
  • ▶Interviews
    • Interview with Acting Coach Sheila Gray
    • Interview Sandra Seacat
    • Interview Ken Rea
    • Interview with Ken Rea
  • ▶Lectures
    • FREE live Zoom Q & A – Film/Tv Acting
    • Webinar – Q & A with Terry Knickerbocker
  • Team Building Seminars
  • Impressum
  • Privacy Policy
  • Get in Touch
  • ▶Impressions
    • Images
    • Project made by Ukrainian Artists
  • Videos and Podcasts
  • ▶Lexicon & Articles
    • Working on Anton Chekhov
    • Different approaches – Different Acting Techniques
    • Acting Classes – Attitude, Emotions, Showing up
    • „I only memorize the lines!”
    • The tendency to simplify scripts and plays into a narrative of one character’s victory
    • ▶Acting Teachers and Techniques
      • Stanislavsky Technique
      • The Vakhtangov Acting Technique
      • Shakespearean Roots: The Influence of Theatre on Versatile Movie Actors
      • Shakespeare and the development of acting skills
      • The Group Theatre: Pioneers
      • Lee Strasberg Acting Method
      • Stella Adler Acting Technique
      • The Stella Adler Acting Technique
      • The Meisner Technique
      • The Uta Hagen Acting Technique
      • Analysis Through Action – Active Analysis
      • The Practical Aesthetics Acting Technique
      • Yoshi Oida & the book ‘The Invisible Actor’
      • Keith Johnston and the Principles of Improvisation
      • Dee Cannon – In-Depth Acting – I
      • Dee Cannon – In-Depth Acting II – Transitive/Active Verbs?
    • ▶Theatre Directors
      • The influence of Erwin Piscator on German and American Theatre
      • Examining the origins of Ariane Mnouchkine’s Theatre
      • „Different Every Night“ Director Mike Alfreds
      • George Tabori’s Unique Approach to Working with Actors
      • Athol Fugard: Shaping South African Theatre
      • Peter Brook: Revolutionizing Theatre with Vision and Innovation
      • Peter Brook „The Empty Space“
      • Peter Brook’s „The Empty Space“ I
      • Peter Brook – Actors Prepare – II
      • Peter Brook – Improvisation – III
      • Peter Brook – Excercises – IV
      • Peter Brook – Rehearsal – V
    • ▶Playwrights
      • The Timeless Legacy of Chekhov and Ibsen
      • Samuel Beckett
      • Tennessee Williams
      • Arthur Miller
      • Brecht: Shaping Roles With a Critical Lens
      • The three Greek playwrights Aeschylus, Sophocles, and Euripides
      • Revenge in Historical Plays and Tragedies
      • Vengeance in Tragic Works: An Analysis of Medea
      • The Theme of Revenge in Historical Plays and Tragedies
    • ▶Self-tape tips
      • Self-Tape Techniques
      • Self-Tape Tips II
      • The Pros and Cons of Self-Taping
    • The Importance of Physical Training like Laban for Actors
    • Basic training can be crucial
    • Play Analysis
    • Improvisation
    • Animal Work for Roles
    • Training in mask work
    • Playing with masks vs. social media
    • Acting Experience: Directing Insights
    • The Impact of Kabuki Theatre on Film
    • Theatre Directing and Filmdirecting books
    • Dreams: Actors Preparing for Roles
    • Creating Personal Narrative

Wir im Web

schauspielcoaching blogfacebook-fanseitebluesky-accountinstagram+

Manage Subscriptions

Newsletter

Datenschutz: *

Mehr Informationen gibt es in unserer Datenschutzerklärung

Prüfen Sie Ihren Posteingang und den Spamordner, um Ihr Abonnement zu bestätigen.

  • Deutsch
  • English
  • home
  • Infopage
  • ▶Acting Workshops
    • Acting Intensive – Foundation Course
    • Online Summer Class: Susan Batson Technique
    • Release and stay open – Butoh with Vangeline
    • Dream Work – Writing, Casting and Workshopping
    • Writing Retreat
    • Acting Program Part II
    • 3 Week – Acting Program
    • On-Camera Acting Masterclass Int./Adv.
    • Chekov Workshop with Di Trevis
    • Scene Lab: The Art of Transformation
    • Acting Workshop with Sheila Gray
    • ReWilding Narratives: Change the Narrative – Change Society
    • The Moving Frame – 5 days intensive
    • Milton Justice – Stella Adler Technique
    • Masterclass Intensive with Terry Knickerbocker
    • Shakespeare Workshop
    • Storytelling Techniques for Solo Storytellers
    • Online: Analysis of Chekhov´s “Three Sisters”
    • Acting Through Dreams Intensive
    • Dreamwork for Actors and Artists with Ken Barnett
    • Developing Your Character’s Physicality
    • Acting Masterclass with Greta Seacat
    • Miranda Harcourt – Actors’ and directors’ tools
    • Screen Naturalism
    • Foundation Intensive Extension
    • Showreel Camp
    • Acting Foundation Course
    • The Expressive Gesture
  • ▶Acting Teachers/Coaches
    • Matthias Schott
    • Vangeline
    • Amanda Lovejoy Street
    • Martin Moran
    • Eric Reis
    • Di Trevis
    • Welker White and Damian Young
    • Mike Alfreds
    • Milton Justice
    • Terry Knickerbocker
    • Darren Smith
    • Dr. Pye
    • Greta Seacat
    • Pamela Scott
    • Miranda Harcourt
    • Geordie Brookman
    • Rainer Hackstock
    • Ken Rea
    • James Kemp
    • Lena Lessing
  • ▶Courses Young Individuals
    • Young Writers Program
    • Intensive Workshop for Young Talents 12-18
    • Shakespeare for Young People
  • The Studio
  • Testimonials
  • News
  • Membership Benefits
  • Calendar
  • ▶General information
    • New students
    • Clarification – the need for early commitment
    • Partners & Projects
    • Support Social/Educational Projects
    • Private Acting Coaching
    • Quick fix & fresh viewpoint
    • Rebooking
    • Gift Vouchers: Acting Courses | Theatre Courses
    • Archive (workshops)
  • ▶Interviews
    • Interview with Acting Coach Sheila Gray
    • Interview Sandra Seacat
    • Interview Ken Rea
    • Interview with Ken Rea
  • ▶Lectures
    • FREE live Zoom Q & A – Film/Tv Acting
    • Webinar – Q & A with Terry Knickerbocker
  • Team Building Seminars
  • Impressum
  • Privacy Policy
  • Get in Touch
  • ▶Impressions
    • Images
    • Project made by Ukrainian Artists
  • Videos and Podcasts
  • ▶Lexicon & Articles
    • Working on Anton Chekhov
    • Different approaches – Different Acting Techniques
    • Acting Classes – Attitude, Emotions, Showing up
    • „I only memorize the lines!”
    • The tendency to simplify scripts and plays into a narrative of one character’s victory
    • ▶Acting Teachers and Techniques
      • Stanislavsky Technique
      • The Vakhtangov Acting Technique
      • Shakespearean Roots: The Influence of Theatre on Versatile Movie Actors
      • Shakespeare and the development of acting skills
      • The Group Theatre: Pioneers
      • Lee Strasberg Acting Method
      • Stella Adler Acting Technique
      • The Stella Adler Acting Technique
      • The Meisner Technique
      • The Uta Hagen Acting Technique
      • Analysis Through Action – Active Analysis
      • The Practical Aesthetics Acting Technique
      • Yoshi Oida & the book ‘The Invisible Actor’
      • Keith Johnston and the Principles of Improvisation
      • Dee Cannon – In-Depth Acting – I
      • Dee Cannon – In-Depth Acting II – Transitive/Active Verbs?
    • ▶Theatre Directors
      • The influence of Erwin Piscator on German and American Theatre
      • Examining the origins of Ariane Mnouchkine’s Theatre
      • „Different Every Night“ Director Mike Alfreds
      • George Tabori’s Unique Approach to Working with Actors
      • Athol Fugard: Shaping South African Theatre
      • Peter Brook: Revolutionizing Theatre with Vision and Innovation
      • Peter Brook „The Empty Space“
      • Peter Brook’s „The Empty Space“ I
      • Peter Brook – Actors Prepare – II
      • Peter Brook – Improvisation – III
      • Peter Brook – Excercises – IV
      • Peter Brook – Rehearsal – V
    • ▶Playwrights
      • The Timeless Legacy of Chekhov and Ibsen
      • Samuel Beckett
      • Tennessee Williams
      • Arthur Miller
      • Brecht: Shaping Roles With a Critical Lens
      • The three Greek playwrights Aeschylus, Sophocles, and Euripides
      • Revenge in Historical Plays and Tragedies
      • Vengeance in Tragic Works: An Analysis of Medea
      • The Theme of Revenge in Historical Plays and Tragedies
    • ▶Self-tape tips
      • Self-Tape Techniques
      • Self-Tape Tips II
      • The Pros and Cons of Self-Taping
    • The Importance of Physical Training like Laban for Actors
    • Basic training can be crucial
    • Play Analysis
    • Improvisation
    • Animal Work for Roles
    • Training in mask work
    • Playing with masks vs. social media
    • Acting Experience: Directing Insights
    • The Impact of Kabuki Theatre on Film
    • Theatre Directing and Filmdirecting books
    • Dreams: Actors Preparing for Roles
    • Creating Personal Narrative

Wir im Web

schauspielcoaching blogfacebook-fanseitebluesky-accountinstagram+

Manage Subscriptions

Newsletter

Datenschutz: *

Mehr Informationen gibt es in unserer Datenschutzerklärung

Prüfen Sie Ihren Posteingang und den Spamordner, um Ihr Abonnement zu bestätigen.

Filmschauspiel

by rABox66Qr | Jun 22, 2017

Print Friendly, PDF & Email

Filmschauspiel Berlin

MOBILER SPRACHUMSCHALTER

  • Deutsch
  • English

DESKTOP SPRACHUMSCHALTER

  • Deutsch
  • English
  • Deutsch
  • English
  • home
  • Kursfinder
  • ▶Seminare
    • Schauspiel Intensiv Grundlagen
    • Online Sommerklasse: Susan Batson Technik
    • Butoh Workshop: Release and stay open
    • Dream Work – Writing, Casting and Workshopping
    • Personal Narrative Schreib-Retreat
    • Schauspielprogramm – Teil II
    • 3 Wochen Schauspiel-Intensiv Programm
    • Kamera Schauspiel Masterclass I & II
    • Anton Tschechow Workshop mit Di Trevis
    • The Moving Frame – 5-Day Intensive
    • Milton Justice – Stella Adler Technik
    • Shakespeare Workshop mit Di Trevis
    • Advanced Scene Work with Terry Knickerbocker
    • ReWilding Narratives: Change the Narrative – Change Society
    • Schauspielworkshop mit Sheila Gray
    • Scene Lab – Einführungsworkshop
    • Erzähltechniken für Solo-Erzähler
    • Online: Analyse von Tschechow´s “Drei Schwestern”
    • Acting Through Dreams & Szenenstudium
    • Dreamwork for Actors and Artists
    • Acting Masterclass mit Greta Seacat
    • Developing Your Character’s Physicality
    • Tools für Schauspieler & Regisseure
    • Film Naturalismus
    • Showreel Camp
    • Aufbau Workshop Intensiv
    • Schauspiel Grundlagenkurs Hamburg
    • The Expressive Gesture
  • ▶Dozenten/ Gastdozenten
    • Matthias Schott
    • Vangeline
    • Amanda Lovejoy Street
    • Martin Moran
    • Eric Reis
    • Di Trevis
    • Dr. Pye
    • Welker White und Damian Young
    • Terry Knickerbocker
    • Mike Alfreds
    • Milton Justice
    • Darren Smith
    • Pamela Scott
    • Tomer Adorian
    • Geordie Brookman
    • Miranda Harcourt
    • Greta Seacat
    • Rainer Hackstock
    • Lena Lessing
    • James Kemp
    • Ken Rea
  • ▶Kurse für Jugendliche
    • Kurse für junge Autoren
    • Intensivworkshop für junge Talente 12 – 18
    • Shakespeare für Jugendliche
  • Das Studio
  • Andere über uns
  • Mitgliedschaft
  • Kalender
  • Neuigkeiten
  • Teambuilding Seminare
  • ▶Interviews
    • Interview Schauspielcoach Sheila Gray
    • Interview mit Sandra Seacat
    • Interview Ken Rea
    • Interview mit Ken Rea
    • Interview Seamus McNally
  • ▶Vorträge
    • FREE live Zoom Q & A mit Welker White und Damian Young
    • Q & A mit Terry Knickerbocker
  • ▶Allgemeine Infos
    • Erläuterung-frühzeitige Anmeldung
    • Flexible Zahlungspläne
    • Partner
    • Umbuchung
    • 1:1 Schauspielcoaching
    • Schnelle Lösung & neuer Blickwinkel
    • Gutschein
    • Werde Unterstützer: Soziale Theaterprojekte
    • Unterstützen
    • Wechsel zu Ökostrom
    • ▶Archive
      • Online: Story for Tellers
      • Character Analysis & Movement Psychology
      • Solo Performance Masterclass (Inter./Fort.)
      • Directing Personal Narrative
      • Andy Murray
      • Acting Shakespeare mit Andy Murray
      • Online: Analyse von Schnitzler’s “Reigen”
      • Sandra Seacat
      • Online: Creative Dream Work
      • Präsenz und Audition Technik
      • Actor’s Journey – Meisner & Morris
      • Rollenarbeit mit dem Regisseur Mike Alfreds
      • Acting Workshop mit Sandra Seacat
      • Schauspiel Intensiv (Interm./Fortg.)
      • Susan Batson Technik
      • Der Raum, der Körper und die physische Gestaltung
      • ACT – Recharge Your Actor mit Lena Lessing
      • Jordan Beswick
      • Am Set
      • Pavel Farsky
      • „Just Act – Sing!“ mit Pavel Farsky
      • Drehvorbereitung + Showreel Dreh
      • Seamus McNally
      • Coach, Regie, Szene
      • Susan Batson Technik Intensiv
      • Teambuilding Seminare
      • Intimität vor der Kamera mit Ita O’Brien
      • Ita O’Brien
      • Paul Miller
      • Acting Workhop mit Sandra Seacat
      • Sandra Seacat
      • Working with Paul Miller
      • Tierarbeit
      • Character Analysis and Movement Psychology
  • Impressum
  • Datenschutzerklärung
  • Kontakt
  • ▶Eindrücke
    • Workshops
    • PROJEKT von Künstlern*innen aus der Ukraine
  • Videos und Podcasts
  • ▶Lexika & Artikel
    • Bücher über Theaterregie und Filmregie – Schauspielführung
    • Die Stanislawski-Technik
    • Die Wachtangow Schauspiel-Methode
    • Kabuki Theater und Film
    • Deutsche Expressionismus Film & Theater
    • Das Group Theatre
    • Bertolt Brechts Schauspieltechnik
    • Erwin Piscator – deutsche und amerikanische Theater
    • Stella Adler-Schauspieltechnik
    • Lee Strasberg Methode
    • Sanford Meisner-Technik
    • Die Schauspieltechnik von Uta Hagen
    • Georg Taboris Arbeit mit Schauspieler*innen
    • Das Theater von Ariane Mnouchkine
    • “Different Every Night” Regisseur Mike Alfreds
    • Bewegungstraing Schauspiel – Laban
    • Improvisation – Keith Johnston
    • Träume: Ein neuer Ansatz
    • Die Analyse des Theaterstücks
    • Shakespeare & schauspielerische Fähigkeiten
    • Maskenspiel
    • Spiel mit Masken vs. Soziale Medien
    • Schauspiel vor der Kamera
    • Schauspielerfahrung für Regisseure*innen
    • Die Vor- und Nachteile von E-Castings
    • Wie mache ich ein E-Casting?
    • E-Casting Tips
    • E-Casting Tipps II
  • Wortkunst

Wir im Web

schauspielcoaching blog facebook-fanseite bluesky-account instagram+

Manage Subscriptions:

Newsletter

Datenschutz: *

Mehr Informationen gibt es in unserer Datenschutzerklärung

Prüfen Sie Ihren Posteingang und den Spamordner, um Ihr Abonnement zu bestätigen.

  • Facebook
  • X
  • Instagram
  • RSS

Designed by Elegant Themes | Powered by WordPress

Cart
  • Your cart is empty! Return to shop
Checkout - 0,00 €
  • 0
  • 1