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    • Release and stay open – Butoh with Vangeline
    • Dream Work – Writing, Casting and Workshopping
    • Creating Personal Narrative
    • Acting Program Part II
    • Chekov Workshop with Di Trevis
    • Scene Lab: The Art of Transformation
    • ReWilding Narratives: Change the Narrative – Change Society
    • The Moving Frame – 5 days intensive
    • Milton Justice – Stella Adler Technique
    • Masterclass Intensive with Terry Knickerbocker
    • Shakespeare Workshop
    • Storytelling Techniques for Solo Storytellers
    • Online: Analysis of Chekhov´s “Three Sisters”
    • Acting Through Dreams Intensive
    • Dreamwork for Actors and Artists with Ken Barnett
    • Developing Your Character’s Physicality
    • Acting Masterclass with Greta Seacat
    • Miranda Harcourt – Actors’ and directors’ tools
    • Screen Naturalism
    • Foundation Intensive Extension
    • Showreel Camp
    • Acting Foundation Course
    • The Expressive Gesture
  • Acting Teachers/Coaches
    ▼
    • Eric Reis
    • Matthias Schott
    • Sheila Gray
    • Vangeline
    • Amanda Lovejoy Street
    • Martin Moran
    • Di Trevis
    • Welker White and Damian Young
    • Mike Alfreds
    • Milton Justice
    • Terry Knickerbocker
    • Darren Smith
    • Dr. Pye
    • Greta Seacat
    • Pamela Scott
    • Miranda Harcourt
    • Geordie Brookman
    • Rainer Hackstock
    • Ken Rea
    • James Kemp
    • Lena Lessing
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    • Intensive Workshop for Young Talents 12-18
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    • Quick fix & fresh viewpoint
    • Rebooking
    • Gift Vouchers: Acting Courses | Theatre Courses
    • Archive (workshops)
  • Interviews
    ▼
    • Interview with Acting Coach Sheila Gray
    • Interview Sandra Seacat
    • Interview Ken Rea
    • Interview with Ken Rea
  • Lectures
    ▼
    • FREE live Zoom Q & A – Film/Tv Acting
    • Webinar – Q & A with Terry Knickerbocker
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  • Impressions
    ▼
    • Images
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  • Videos and Podcasts
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    • Working on Anton Chekhov
    • Different approaches – Different Acting Techniques
    • Acting Classes – Attitude, Emotions, Showing up
    • „I only memorize the lines!”
    • The tendency to simplify scripts and plays into a narrative of one character’s victory
    • Acting Teachers and Techniques
      ▼
      • Stanislavsky Technique
      • The Vakhtangov Acting Technique
      • Shakespearean Roots: The Influence of Theatre on Versatile Movie Actors
      • Shakespeare and the development of acting skills
      • The Group Theatre: Pioneers
      • Lee Strasberg Acting Method
      • Stella Adler Acting Technique
      • The Stella Adler Acting Technique
      • The Meisner Technique
      • The Uta Hagen Acting Technique
      • Analysis Through Action – Active Analysis
      • The Practical Aesthetics Acting Technique
      • Yoshi Oida & the book ‘The Invisible Actor’
      • Keith Johnston and the Principles of Improvisation
      • Dee Cannon – In-Depth Acting – I
      • Dee Cannon – In-Depth Acting II – Transitive/Active Verbs?
    • Theatre Directors
      ▼
      • The influence of Erwin Piscator on German and American Theatre
      • Examining the origins of Ariane Mnouchkine’s Theatre
      • „Different Every Night“ Director Mike Alfreds
      • George Tabori’s Unique Approach to Working with Actors
      • Athol Fugard: Shaping South African Theatre
      • Peter Brook: Revolutionizing Theatre with Vision and Innovation
      • Peter Brook „The Empty Space“
      • Peter Brook’s „The Empty Space“ I
      • Peter Brook – Actors Prepare – II
      • Peter Brook – Improvisation – III
      • Peter Brook – Excercises – IV
      • Peter Brook – Rehearsal – V
    • Playwrights
      ▼
      • The Timeless Legacy of Chekhov and Ibsen
      • Samuel Beckett
      • Tennessee Williams
      • Arthur Miller
      • Brecht: Shaping Roles With a Critical Lens
      • The three Greek playwrights Aeschylus, Sophocles, and Euripides
      • Revenge in Historical Plays and Tragedies
      • Vengeance in Tragic Works: An Analysis of Medea
      • The Theme of Revenge in Historical Plays and Tragedies
    • Self-tape tips
      ▼
      • Self-Tape Techniques
      • Self-Tape Tips II
      • The Pros and Cons of Self-Taping
    • The Importance of Physical Training like Laban for Actors
    • Basic training can be crucial
    • Play Analysis
    • Improvisation
    • Animal Work for Roles
    • Training in mask work
    • Playing with masks vs. social media
    • Acting Experience: Directing Insights
    • The Impact of Kabuki Theatre on Film
    • Theatre Directing and Filmdirecting books
    • Creating Personal Narrative

MOBILER SPRACHUMSCHALTER

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DESKTOP SPRACHUMSCHALTER

  • Deutsch
  • English
  • home
  • Infopage
  • Acting Workshops
    • On-Camera Acting Masterclass Int./Adv.
    • 3 Week – Acting Program
    • Acting Workshop with Sheila Gray
    • Acting Intensive – Foundation Course
    • Release and stay open – Butoh with Vangeline
    • Dream Work – Writing, Casting and Workshopping
    • Creating Personal Narrative
    • Acting Program Part II
    • Chekov Workshop with Di Trevis
    • Scene Lab: The Art of Transformation
    • ReWilding Narratives: Change the Narrative – Change Society
    • The Moving Frame – 5 days intensive
    • Milton Justice – Stella Adler Technique
    • Masterclass Intensive with Terry Knickerbocker
    • Shakespeare Workshop
    • Storytelling Techniques for Solo Storytellers
    • Online: Analysis of Chekhov´s “Three Sisters”
    • Acting Through Dreams Intensive
    • Dreamwork for Actors and Artists with Ken Barnett
    • Developing Your Character’s Physicality
    • Acting Masterclass with Greta Seacat
    • Miranda Harcourt – Actors’ and directors’ tools
    • Screen Naturalism
    • Foundation Intensive Extension
    • Showreel Camp
    • Acting Foundation Course
    • The Expressive Gesture
  • Acting Teachers/Coaches
    • Eric Reis
    • Matthias Schott
    • Sheila Gray
    • Vangeline
    • Amanda Lovejoy Street
    • Martin Moran
    • Di Trevis
    • Welker White and Damian Young
    • Mike Alfreds
    • Milton Justice
    • Terry Knickerbocker
    • Darren Smith
    • Dr. Pye
    • Greta Seacat
    • Pamela Scott
    • Miranda Harcourt
    • Geordie Brookman
    • Rainer Hackstock
    • Ken Rea
    • James Kemp
    • Lena Lessing
  • Courses Young Individuals
    • Young Writers Program
    • Intensive Workshop for Young Talents 12-18
    • Shakespeare for Young People
  • The Studio
  • Testimonials
  • News
  • Membership Benefits
  • Calendar
  • General information
    • New students
    • Clarification – the need for early commitment
    • Partners & Projects
    • Support Social/Educational Projects
    • Private Acting Coaching
    • Quick fix & fresh viewpoint
    • Rebooking
    • Gift Vouchers: Acting Courses | Theatre Courses
    • Archive (workshops)
  • Interviews
    • Interview with Acting Coach Sheila Gray
    • Interview Sandra Seacat
    • Interview Ken Rea
    • Interview with Ken Rea
  • Lectures
    • FREE live Zoom Q & A – Film/Tv Acting
    • Webinar – Q & A with Terry Knickerbocker
  • Team Building Seminars
  • Impressum
  • Privacy Policy
  • Get in Touch
  • Impressions
    • Images
    • Project made by Ukrainian Artists
  • Videos and Podcasts
  • Lexicon & Articles
    • Working on Anton Chekhov
    • Different approaches – Different Acting Techniques
    • Acting Classes – Attitude, Emotions, Showing up
    • „I only memorize the lines!”
    • The tendency to simplify scripts and plays into a narrative of one character’s victory
    • Acting Teachers and Techniques
      • Stanislavsky Technique
      • The Vakhtangov Acting Technique
      • Shakespearean Roots: The Influence of Theatre on Versatile Movie Actors
      • Shakespeare and the development of acting skills
      • The Group Theatre: Pioneers
      • Lee Strasberg Acting Method
      • Stella Adler Acting Technique
      • The Stella Adler Acting Technique
      • The Meisner Technique
      • The Uta Hagen Acting Technique
      • Analysis Through Action – Active Analysis
      • The Practical Aesthetics Acting Technique
      • Yoshi Oida & the book ‘The Invisible Actor’
      • Keith Johnston and the Principles of Improvisation
      • Dee Cannon – In-Depth Acting – I
      • Dee Cannon – In-Depth Acting II – Transitive/Active Verbs?
    • Theatre Directors
      • The influence of Erwin Piscator on German and American Theatre
      • Examining the origins of Ariane Mnouchkine’s Theatre
      • „Different Every Night“ Director Mike Alfreds
      • George Tabori’s Unique Approach to Working with Actors
      • Athol Fugard: Shaping South African Theatre
      • Peter Brook: Revolutionizing Theatre with Vision and Innovation
      • Peter Brook „The Empty Space“
      • Peter Brook’s „The Empty Space“ I
      • Peter Brook – Actors Prepare – II
      • Peter Brook – Improvisation – III
      • Peter Brook – Excercises – IV
      • Peter Brook – Rehearsal – V
    • Playwrights
      • The Timeless Legacy of Chekhov and Ibsen
      • Samuel Beckett
      • Tennessee Williams
      • Arthur Miller
      • Brecht: Shaping Roles With a Critical Lens
      • The three Greek playwrights Aeschylus, Sophocles, and Euripides
      • Revenge in Historical Plays and Tragedies
      • Vengeance in Tragic Works: An Analysis of Medea
      • The Theme of Revenge in Historical Plays and Tragedies
    • Self-tape tips
      • Self-Tape Techniques
      • Self-Tape Tips II
      • The Pros and Cons of Self-Taping
    • The Importance of Physical Training like Laban for Actors
    • Basic training can be crucial
    • Play Analysis
    • Improvisation
    • Animal Work for Roles
    • Training in mask work
    • Playing with masks vs. social media
    • Acting Experience: Directing Insights
    • The Impact of Kabuki Theatre on Film
    • Theatre Directing and Filmdirecting books
    • Creating Personal Narrative

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MOBILER SPRACHUMSCHALTER

  • Deutsch
  • English

DESKTOP SPRACHUMSCHALTER

  • Deutsch
  • English
  • home
  • Infopage
  • Acting Workshops
    • On-Camera Acting Masterclass Int./Adv.
    • 3 Week – Acting Program
    • Acting Workshop with Sheila Gray
    • Acting Intensive – Foundation Course
    • Release and stay open – Butoh with Vangeline
    • Dream Work – Writing, Casting and Workshopping
    • Creating Personal Narrative
    • Acting Program Part II
    • Chekov Workshop with Di Trevis
    • Scene Lab: The Art of Transformation
    • ReWilding Narratives: Change the Narrative – Change Society
    • The Moving Frame – 5 days intensive
    • Milton Justice – Stella Adler Technique
    • Masterclass Intensive with Terry Knickerbocker
    • Shakespeare Workshop
    • Storytelling Techniques for Solo Storytellers
    • Online: Analysis of Chekhov´s “Three Sisters”
    • Acting Through Dreams Intensive
    • Dreamwork for Actors and Artists with Ken Barnett
    • Developing Your Character’s Physicality
    • Acting Masterclass with Greta Seacat
    • Miranda Harcourt – Actors’ and directors’ tools
    • Screen Naturalism
    • Foundation Intensive Extension
    • Showreel Camp
    • Acting Foundation Course
    • The Expressive Gesture
  • Acting Teachers/Coaches
    • Eric Reis
    • Matthias Schott
    • Sheila Gray
    • Vangeline
    • Amanda Lovejoy Street
    • Martin Moran
    • Di Trevis
    • Welker White and Damian Young
    • Mike Alfreds
    • Milton Justice
    • Terry Knickerbocker
    • Darren Smith
    • Dr. Pye
    • Greta Seacat
    • Pamela Scott
    • Miranda Harcourt
    • Geordie Brookman
    • Rainer Hackstock
    • Ken Rea
    • James Kemp
    • Lena Lessing
  • Courses Young Individuals
    • Young Writers Program
    • Intensive Workshop for Young Talents 12-18
    • Shakespeare for Young People
  • The Studio
  • Testimonials
  • News
  • Membership Benefits
  • Calendar
  • General information
    • New students
    • Clarification – the need for early commitment
    • Partners & Projects
    • Support Social/Educational Projects
    • Private Acting Coaching
    • Quick fix & fresh viewpoint
    • Rebooking
    • Gift Vouchers: Acting Courses | Theatre Courses
    • Archive (workshops)
  • Interviews
    • Interview with Acting Coach Sheila Gray
    • Interview Sandra Seacat
    • Interview Ken Rea
    • Interview with Ken Rea
  • Lectures
    • FREE live Zoom Q & A – Film/Tv Acting
    • Webinar – Q & A with Terry Knickerbocker
  • Team Building Seminars
  • Impressum
  • Privacy Policy
  • Get in Touch
  • Impressions
    • Images
    • Project made by Ukrainian Artists
  • Videos and Podcasts
  • Lexicon & Articles
    • Working on Anton Chekhov
    • Different approaches – Different Acting Techniques
    • Acting Classes – Attitude, Emotions, Showing up
    • „I only memorize the lines!”
    • The tendency to simplify scripts and plays into a narrative of one character’s victory
    • Acting Teachers and Techniques
      • Stanislavsky Technique
      • The Vakhtangov Acting Technique
      • Shakespearean Roots: The Influence of Theatre on Versatile Movie Actors
      • Shakespeare and the development of acting skills
      • The Group Theatre: Pioneers
      • Lee Strasberg Acting Method
      • Stella Adler Acting Technique
      • The Stella Adler Acting Technique
      • The Meisner Technique
      • The Uta Hagen Acting Technique
      • Analysis Through Action – Active Analysis
      • The Practical Aesthetics Acting Technique
      • Yoshi Oida & the book ‘The Invisible Actor’
      • Keith Johnston and the Principles of Improvisation
      • Dee Cannon – In-Depth Acting – I
      • Dee Cannon – In-Depth Acting II – Transitive/Active Verbs?
    • Theatre Directors
      • The influence of Erwin Piscator on German and American Theatre
      • Examining the origins of Ariane Mnouchkine’s Theatre
      • „Different Every Night“ Director Mike Alfreds
      • George Tabori’s Unique Approach to Working with Actors
      • Athol Fugard: Shaping South African Theatre
      • Peter Brook: Revolutionizing Theatre with Vision and Innovation
      • Peter Brook „The Empty Space“
      • Peter Brook’s „The Empty Space“ I
      • Peter Brook – Actors Prepare – II
      • Peter Brook – Improvisation – III
      • Peter Brook – Excercises – IV
      • Peter Brook – Rehearsal – V
    • Playwrights
      • The Timeless Legacy of Chekhov and Ibsen
      • Samuel Beckett
      • Tennessee Williams
      • Arthur Miller
      • Brecht: Shaping Roles With a Critical Lens
      • The three Greek playwrights Aeschylus, Sophocles, and Euripides
      • Revenge in Historical Plays and Tragedies
      • Vengeance in Tragic Works: An Analysis of Medea
      • The Theme of Revenge in Historical Plays and Tragedies
    • Self-tape tips
      • Self-Tape Techniques
      • Self-Tape Tips II
      • The Pros and Cons of Self-Taping
    • The Importance of Physical Training like Laban for Actors
    • Basic training can be crucial
    • Play Analysis
    • Improvisation
    • Animal Work for Roles
    • Training in mask work
    • Playing with masks vs. social media
    • Acting Experience: Directing Insights
    • The Impact of Kabuki Theatre on Film
    • Theatre Directing and Filmdirecting books
    • Creating Personal Narrative

Wir im Web

schauspielcoaching blog facebook-fanseite bluesky-account instagram+

Manage Subscriptions:

Newsletter

Mehr Informationen gibt es in unserer Datenschutzerklärung

Datenschutz: *

Prüfen Sie Ihren Posteingang und den Spamordner, um Ihr Abonnement zu bestätigen.