Play Analysis & Scene Study with Marjorie Ballentine

Play Analysis & Scene Study with Marjorie Ballentine

Marjorie Ballentine, Stella Adler’s most sought-after protégé, brings her unique vision to this one-of-a-kind masterful technique of script interpretation and its direct application to the actor’s performance. This exclusive intensive starts June 21, 2027, where she will guide actors through one of the classics.

Actors can enroll as performers or observers. This class is a fruitful and expansive course for actors, writers, and directors alike, with skills that can carry over into their respective professions.

Instant Booking Fee until February 28th

  • Variationen zurücksetzen

The class includes:

  • A detailed breakdown of the play’s theme
  • The playwright’s point of view
  • The through-line of each character
  • The social situation
  • The historic moment
  • The direct implementation of the research to the performance

How the class will run:

The first class begins with a lecture of the script breakdown derived directly from Stella Adler’s notes. In the following classes, Marjorie will direct actors’ assigned scenes and apply the skills of script interpretation to the rehearsal and performance process.

Testimonials

“Marjorie has helped me enormously… renewed in me a passion for the work.”

Gary Oldman

“I began coaching with Marjorie Ballentine in 2005. Thanks to Marjorie, my acting has gone to a whole new level of commitment and understanding. Marjorie’s incredible wealth of knowledge about acting and her captivating ability to teach have proved absolutely invaluable for me – in both auditioning and performance. Marjorie’s teaching is no-nonsense thespian training in the tradition of Stella Adler. Marjorie, like Stella did, teaches not only acting but also an “attitude” toward acting. She is the very best out there.”

Krysten Ritter (Jessica Jones, Dexter)

Stella Adler with Marjorie Ballentine

“Fearless. That’s the first thing that comes to mind when I think of Marjorie Ballentine. She puts me at ease when I coach with her. She encourages me to look inward. And she provides me with such a detailed map. She also asks the important questions. ‘What’s the bigger picture? What is the author trying to say? What are the themes of the piece?’ If you want to be a deeper, truer, more meaningful actor, work with her. I encourage it! (but c’mon, don’t tell everybody, k?)”

Lindsey Kraft (Grace and Frankie, Getting On, Veep, Newsroom)

“Marjorie has not only helped me to better use my raw talent [acting and auditioning], she has also taught me that using raw talent AND technique can and should coincide.”


Victor Rasuk (The Baker and the Beauty, Private Ryan Season 2, How To Make It in America, Clint Eastwood’s Mule)

Ort: In-Person Berlin, Schott Acting Studio
Dates: 10 Days June 21st to 30th, 2027  Times: 10:00 am to 5:00 pm CET
Limited to 16 active participants
Normal Fee: 1495 Euros, 19% VAT incl.
Early Bird Fee: 1355 Euros, 19% VAT incl.
Instant Booking/Member’s Fee: 1265 Euros, 19% VAT incl.
Observer Normal Fee: 485 Euro, 19% VAT incl.
Observer Instant Booking/Member’s Fee: 385 Euros, 19% VAT incl.
Teaching language English
Application: * Extensive theatre experience, CV or showreel or recorded scene required–this helps us ensure the group is working at a professional level. We designed this workshop for actors on a professional track, intermediate/experienced. We limit attendance to actors with previous training or on set or theatre experience.
For your application, please use the contact form below.
For further information please send us an email: info@schott-acting-studio.de (Please add our addresses info@schott-acting-studio.de and kontakt@schott-acting-studio.de to your email safe senders list, address book or contact list to prevent future messages from going to spam.) Funding: GVL Members (30%)

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